“People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.”
— Sophie Turner, in response to Sansa hate (x)

(via theangelofthetardis)

At the halfway point, where I’d rather dick around with album art than do anything productive.

nevver:

Going.
“What if you slept? And what if in your sleep, you dreamed? And what if in your dream, you went to heaven and there plucked a strange and beautiful flower? And what if, when you woke, you had the flower in your hand? Ah! What then?”
— Samuel Taylor Coleridge (via thatkindofwoman)

(via thatkindofwoman)

transtrendsetter:

for evidence of male fragility look no further than their basically universal fear of dating women taller than them

(via smokeandsong)

greenleefs:

life would be 99% better if the lord of the rings soundtrack played in the background

(via theangelofthetardis)

hernance:

"There were once three brothers who were traveling along a lonely, winding road at twilight…"